BIOGRAPHY

Born in Buenos Aires in 1917, Sarah Grilo began her early studies in painting with the renowned Spanish artist, Vicente Puig.  Grilo lived in Argentina, France and Spain before receiving a J. S. Guggenheim Fellowship in 1961, and subsequently moved to New York with her husband, the artist José Antonio Fernández-Muro, and their children. In 1970, the family left for the south of Spain, where they would stay until 1979. From 1980 she and her husband alternated their stay between Paris and Madrid, where they definitely moved to live with in 1985, until her death in 2007.

In 1952, Grilo formed part of the Grupo de Artistas Modernos de la Argentina assembled by Aldo Pellegrini, which included the artists Enio Iommi, Tomás Maldonado, Alfredo Hlito, Lidy Prati, José Antonio Fernández-Muro, among others.  The group had exhibitions at the Museu de Arte Moderna in Rio de Janeiro and at the Stedelijk Museum in Amsterdam. In 1956, Grilo was part of the envoy to the Venice Biennial. In the United States her work evolved from an initial post-cubist figuration to geometrical abstraction. By merging elements of abstract expressionism and an amalgamation of language, symbols, and scribbles, Grilo created an energetic painting style in the early 1960s that anticipates the street art of graffiti artists such as Jean-Michel Basquiat. Following her time in New York, Grilo’s output evolved towards works characterized by their free gestuality in which the figures are replaced by numerical and textual signs that recreate torn posters and urban graffiti with enormous delicacy and visual awareness.

Grilo has held both solo and group exhibitions at numerous galleries and institutions in the United States, Latin America, and Europe.  These include: the Museo Nacional de Bellas Artes, Buenos Aires; the Museo de Bellas Artes, Caracas; the Instituto de Arte Contemporáneo, Lima; the Solomon R. Guggenheim Museum, New York; the Cisneros Fontanals Art Foundation (CIFO), Miami; the Art Museum of the Americas, Washington D.C.; The Nelson Rockefeller Collection, New York; the Blanton Museum of Art, Austin; the Stedelijk Museum of Art, Amsterdam; the Museo Español de Arte Contemporáneo, Madrid; and the Museo Nacional Centro de Arte Reina Sofía, Madrid, among others.  In 2017, Grilo’s work was shown at the Museum of Modern Art’s (MoMA) groundbreaking exhibition, Making Space: Women Artists and Postwar Abstraction. Most recently, her work has been included in Action, Gesture, Paint | Women Artists and Global Abstraction 1940–70 at the Whitechapel Gallery in London and is now on view at The Metropolitan Museum of Art in New York and at MoMA, as part of Calligraphic Abstraction, one of the museum’s rotating collection galleries.